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Museum Boijmans Van Beuningen
Van Dongen painted many portraits. His portrait of his wife hangs above the buffet in this interior, with its marvellous colours and composition. In the actual portrait she stands against a bright red background. Here it has become blue. Apparently he did not find the red harmonious with the ochre yellow and blue.
Cornelis Theodorus Maria van Dongen was born on 26 January 1877 in Delfshaven, then still a small independent port near Rotterdam. At the age of fifteen, Kees began drawing lessons at what is now the Willem de Kooning Academy in Rotterdam. Three years later he was able to earn a living as a draughtsman and he worked for several newspapers including Het Rotterdamsch Nieuwsblad. In 1897 Van Dongen went to Paris for the first time to continue his training as a draughtsman. Van Dongen blossomed in Paris—the left-wing illustrator became a celebrated artist. His success came through his association with Fauvism, the first major avant-garde movement. Van Dongen was notorious for his contemporary use of colour, paint and electric light—and almost as much for his lifestyle. His lavish studio parties in the 1920s and 30s were attended by film stars, famous politicians and artists. What Andy Warhol was to New York in the 1960s, Kees van Dongen was to the Paris of the 1920s—a society artist and Bohemian who brought added colour and excitement to the city.
material and technique: oil on canvas
kind of object: painting
creditline: Schenking / Donation: Jo Zwartendijk 1936
inventory number: 1188 (MK)